26. A Chinese Ghost Story dir. by Siu-Tung Ching (1987)
If you like wire kung-fu, demon-horror, romance, comedy films starring Leslie Cheung, then you’ll probably like A Chinese Ghost Story (I did).
Leslie Cheung plays a tax collector that stays the night in a haunted temple, meets a talented swordsman, and falls in love with a ghost. Unfortunately, an evil tree spirit comes between our two lovers with it’s gigantic tongue that bleeds what I assume is white, milky tree sap… I mean, I hope that’s what it is.
A pretty unique film (that spawned two sequels). Slow at times, but ultimately entertaining.
Watch the trailer | Buy it from Amazon | Rent it from Netflix
![25. Hellraiser III: Hell on Earth dir. by Anthony Hickox (1992)
“Ready for your closeup?”
In Hellbound: Hellraiser II, Pinhead got himself trapped inside of some hellish sculpture. Well, that sculpture found it’s way into the hands of a homeless man and that homeless man sold that sculpture to some millionaire playboy/douche bag who keeps it in his weirdly sadistic night club. Naturally, Pinhead wants out, and he wants some new Cenobite pals.
Hellraiser III’s heroine, Joanne (Terry Farrell) [1], is an investigative reporter that gets wrapped up in the whole Hellraiser deal when she witnesses a club patron being ripped apart by chains at the local hospital. From there she looks into videotapes of Kirsty Cotton (from the first two Hellraiser films), investigates some strange happenings at J.P. Monroe’s nightclub, befriends J.P.’s ex-girlfriend Terri (Paula Marshall), and eventually has a pretty satisfying encounter with Pinhead and five new Cenobites.
I think I like the Cenobites in Hellraiser III the most out of all the movies. They’re just so ridiculous. Descriptions from Wikipedia:
Pistonhead: An evil sex fiend that owned “The Boiler Room” club; had a hot, never ending piston shoved through his skull.
Camerahead: An expert camera man for the news was killed by Pinhead; and brought back to life with a camera for an eye.
Dreamer: A smoking teenager that never had dreams; is now a Cenobite with a cigarette in a throat wound.
CD: A deejay from “The Boiler Room”; now Cenobite with the power to throw CDs like a ninja with throwing-stars.
Barbie: A bartender from “The Boiler Room”; now Cenobite wrapped in barbed wire; and has the ability to spit out white pus that ignites upon touching air.
I know I said that Hellraiser IV was my favorite, but I think I flip around each time I see a new Hellraiser film. If you’re going to watch a Hellraiser movie, watch this one.
Watch the trailer | Buy it from Amazon | Rent it form Netflix](http://24.media.tumblr.com/tumblr_lb3q9vyK0b1qb857mo1_400.jpg)
25. Hellraiser III: Hell on Earth dir. by Anthony Hickox (1992)
“Ready for your closeup?”
In Hellbound: Hellraiser II, Pinhead got himself trapped inside of some hellish sculpture. Well, that sculpture found it’s way into the hands of a homeless man and that homeless man sold that sculpture to some millionaire playboy/douche bag who keeps it in his weirdly sadistic night club. Naturally, Pinhead wants out, and he wants some new Cenobite pals.
Hellraiser III’s heroine, Joanne (Terry Farrell) [1], is an investigative reporter that gets wrapped up in the whole Hellraiser deal when she witnesses a club patron being ripped apart by chains at the local hospital. From there she looks into videotapes of Kirsty Cotton (from the first two Hellraiser films), investigates some strange happenings at J.P. Monroe’s nightclub, befriends J.P.’s ex-girlfriend Terri (Paula Marshall), and eventually has a pretty satisfying encounter with Pinhead and five new Cenobites.
I think I like the Cenobites in Hellraiser III the most out of all the movies. They’re just so ridiculous. Descriptions from Wikipedia:
- Pistonhead: An evil sex fiend that owned “The Boiler Room” club; had a hot, never ending piston shoved through his skull.
- Camerahead: An expert camera man for the news was killed by Pinhead; and brought back to life with a camera for an eye.
- Dreamer: A smoking teenager that never had dreams; is now a Cenobite with a cigarette in a throat wound.
- CD: A deejay from “The Boiler Room”; now Cenobite with the power to throw CDs like a ninja with throwing-stars.
- Barbie: A bartender from “The Boiler Room”; now Cenobite wrapped in barbed wire; and has the ability to spit out white pus that ignites upon touching air.
I know I said that Hellraiser IV was my favorite, but I think I flip around each time I see a new Hellraiser film. If you’re going to watch a Hellraiser movie, watch this one.
Watch the trailer | Buy it from Amazon | Rent it form Netflix
24. Dance of the Dead dir. by Gregg Bishop (2008)
Dance of the Dead ended up being a lot more entertaining than I’d anticipated. There’s just too much here to like.
Prom night turns out to be less than stellar for a group of teens when the dead start blasting out (literally) of their graves and taking out their undead boredom on the local townspeople. It’s up to a group of misfits (the sci-fi club, the loser pizza delivery driver, the class vice-president, and the 3-year senior bully) to put a stop to the zombie menace and warn their classmates of the epidemic before the zombies can reach the school gym.
Going into this, I expected some awful MTV mad-for-tv movie. Boy was I wrong. This movie was fun, gory, romantic, hilarious, and had some genuinely original and entertaining zombie kills. While it’s not in my top 10 horror films of all time, it’s an incredibly fun film to watch, and great Halloween horror fluff if you’re looking to relax and not feel too invested in a movie.
Watch the trailer | Buy it from Amazon | Rent it from Netflix
23. Demons dir. by Lamberto Bava (1985)
Lamberto Bava (son of Mario Bava and protégé to Dario Argento) directs this oddly meta tale of film come to life.
Two young women are given free tickets to the premiere of a new horror film. Together with a theatre full of strangers, the women are subjected to an hour and a half of very real horror, as the story happening on the screen begins to bleed into the real world. Plenty of great kills, impressive creature effects, and hilariously bad ADR’d dialogue make this a treat to watch.
I haven’t seen Demons 2 yet, but if it follows the storyline of the first, I’m looking at a pretty great post-apocalyptic demon story. Watch it with friends.
21. Ghoulies dir. by Luca Bercovici (1985)
When I think of the movie Ghoulies, I think of Boglins. Then I just get kind of upset because there was never a Boglins film or cartoon series (please, correct me if I’m wrong).
Anyway, Ghoulies is kind of a bust in my opinion. Originally slated to be directed by Charles Band (of Puppet Master fame) with special effects by Stan Winston (Jesus, I mean he’s done everything), the film looked like it was destined to become an excellent addition in the tome of great 80’s horror films. Alas, all was for not, and some jabronies got there hands on it instead. What we get is a story about a man obsessed with controlling demons, and demons that look they’re on the end of a kebob stick being waved around.
Skip this one and stay tuned for part 2…
20. Pet Sematary dir. by Mary Lambert (1989)
Seriously people, pay attention to where your kids are when there’s a 90mph highway 20 feet in front of your house. And when an the old guy across the street drawls out the recommendation that you not bury a human being up in that there pet cemetery, you best gather your wits together and listen up.
Pet Sematary introduces one of the 90’s most memorable child actors, Miko Hughes. Miko puts on a pretty impressive performance for being 2-years old. He showed up in just about every tv show in the 90s at some point, found his way into hits like Apollo 13 and Spawn (ahahaha!), but most memorably, he played Nancy Porter’s son, Dylan, in Wes Craven’s New Nightmare.
An instant classic from the mind of Stephen King.
19. Never Sleep Again: The Elm Street Legacy dir. by Daniel Farrands, Andrew Kasch (2010)
Never Sleep Again is a 4-hour long documentary covering the Nightmare on Elm Street series from the very first film in ‘84 all the way through 2003’s Freddy vs. Jason. Basically, it covers all the Nightmares that Robert Englund played Freddy Krueger in.
Due to poor planning on my part, I had to split this up into two two-hour viewings. That’s not necessarily a bad thing (I think I cut off after Elm Street 4), but I don’t want to give the impression that this doc is slow in any way. I could have easily sat through all four hours without blinking.
Farrands and Kasch tackle the series in chronological order, bookending each movie with brand new claymation/stop-motion Freddy clips to introduce each film. These interstitials are well done, nostalgic, and just generally fun to watch. It reminds me of the old MTV Liquid Television ads.
The films’ cast and crew, series’ directors, and series’ producers all turn up to talk about the respective film(s) they were involved with. The amount of content, stories, and behind-the-scenes footage makes this feel like an epic bonus disc. Noticeably absent from the film are sit-downs with Johnny Depp (A Nightmare on Elm Street) and Patricia Arquette (Dream Warriors). The other cast and crew of the films do a good job of telling stories about the two on set though, so they aren’t missed. Not really anyway.
Never Sleep Again is just a well put together documentary on what is probably the biggest horror franchise of all time. If you have any interest in the Nightmare on Elm Street films, you’ll thoroughly enjoy this. And for those that hate campy horror but like docs, you’re in for a treat as well.
The Collector’s Edition even contains a second disc bringing the grand total of watching time to 8 hours. That’s one hell of a special feature.
9. It’s Alive dir. by Larry Cohen (1974)
Childbirth is a beautiful thing, but it’s also kind of gross. Even more so when your baby is a disgusting, vampiric abomination that murders the obstetric staff and then goes on a rampage through the sewer systems of your local town.
That’s It’s Alive in a nutshell. Laced in there somewhere are a father who refuses to accept the beast as his own, and a mother who wants only to coddle the damned thing. Low budget costs or poor creature effects lead to a vast majority of the movie being filmed from the first person perspective of the baby as he crawls around and murders folks. The rest looks mostly like a doll being thrown across the room.
The tag line says, “The one film you should not see alone.” It’s half right there. Grab some drinks and grab some friends for this one. It’s a cult favorite, but it can be hard to get through without anyone else to laugh at it with you.
Watch the trailer | Buy it on Amazon | Watch it now on Netflix
4. An American Werewolf in London dir. by John Landis (1981)
What happens when two Americans go wandering around the outskirts of England during a full moon? They happen upon a local pub, are shunned by the townsfolk and become fodder for the local werewolf. Unfortunately for Jack (Griffin Dunne), the werewolf takes a liking to his insides first. Luckily (?) for David (David Naughton), the townsfolk find their conscience before the werewolf finishes him off. And finally, lucky for us, we get a great movie out of it.
The practical effects in the film are top notch, especially considering it’s 1981 release. David’s transformation scene is still one of my favorite monster moments of all time. Rick Baker’s (Videodrome, Thriller, Gremlins 2) use of robotics is still convincing to this day. His makeup work on the decaying ghosts of David’s victims are about on par with the stuff Greg Nicotero is doing with the soon to aired The Walking Dead series.
This is watch it now on Netflix in standard definition, but I’d recommend renting the Blu-ray disc. The transfer is excellent.
Watch the trailer | Buy on Amazon: BD, DVD | Watch it now on Netflix
